Publije Ovidije Nazon (Publius Ovidius Naso) poznatiji kao Ovidije, bio je antički pjesnik. On se, pored Horacija i Vergilija, ubraja među tri najveća pjesnika klasične rimske književnosti.[1] U svojoj ranoj fazi, Ovidije je pisao ljubavne pjesme, u zrelijoj fazi bavio se epskim ciklusima, da bi u kasnoj fazi pisao tužbalice (jadikovke).

Ovidije
Kip Ovidija u rumunskom gradu Constanța
Puno imePublius Ovidius Naso
Rođenje20. mart 43. p. n. e.
Sulmona, Rimska republika (danas Italija)
Smrt17/18. n. e.
Constanța, Rimsko carstvo (danas Rumunija)
Zanimanjepjesnik
Žanrelegija, ep, drama

Njegova dobro očuvana djela i radovi nisu bila dovoljno cijenjena i poštovana u kasnoj antici. Međutim, u Srednjem vijeku i baroku, ona su imala izuzetno snažaj utjecaj na pjesništvo, likovnu umjetnost i muziku tog perioda. Ipak, u periodu romantike, taj utjecaj je opao, oživjevši opet u drugoj polovini 19. vijeka.[1] Iako je njegov cjelokupni rad duboko urastao u kulturnu svijest današnje civilizacije, ipak se "Preobražaji" ("Metamorfoze") smatraju za njegovo najveće djelo.

Ovidije je pisao više o svom životu nego većina drugih rimskih pjesnika. Podaci o njegovoj biografiji crpe se prvenstveno iz njegove poezije, posebno iz Tristije 4.10,[2] koja daje poduži autobiografski prikaz njegovog života. Drugi izvori uključuju Seneku Starijeg i Kvintilijana.

Ovidije je prvih 25 godina svoje književne karijere proveo prvenstveno pišući poeziju u elegičnom metru sa erotskim temama.[3] Hronologija ovih ranih radova nije sigurna, ali naučnici su utvrdili okvirne datume. Smatra se da su njegovo najranije sačuvano djelo Heroides, pisma mitoloških heroina njihovim odsutnim ljubavnicima, koja su možda objavljena 19. godine prije Hrista, iako je datum nesiguran jer zavisi od obavijesti u Am. 2.18.19–26 koji izgleda opisuje zbirku kao rano objavljeno djelo.[4]

Medeja na fresci iz Herkulaneuma
Metamorfoze, 1618

Bilješke

uredi
  1. ^ a b Greška kod citiranja: Nevaljana oznaka <ref>; nije naveden tekst za reference s imenom Fuhrmann
  2. ^ Conte, Gian Biagio (1987). Latin Literature: A History. Johns Hopkins University Press. str. 340.
  3. ^ The most recent chart that describes the dating of Ovid's works is in Knox.
  4. ^ Trist.

Izdanja

uredi
    • McKeown, J. (ed), Ovid: Amores. Text, Prolegomena and Commentary in four volumes, Vol. I–III (Liverpool, 1987–1998) (ARCA, 20, 22, 36).
    • Ryan, M. B.; Perkins, C. A. (ed.), Ovid's Amores, Book One: A Commentary (Norman: University of Oklahoma Press, 2011) (Oklahoma Series in Classical Culture, 41).
    • Tarrant, R. J. (ed.), P. Ovidi Nasonis Metamorphoses (Oxford: OUP, 2004) (Oxford Classical Texts).
    • Anderson, W. S., Ovid's Metamorphoses, Books 1–5 (Norman: University of Oklahoma Press, 1996).
    • Anderson, W. S., Ovid's Metamorphoses, Books 6–10 (Norman: University of Oklahoma Press, 1972).
    • Kenney, E. J. (ed.), P. Ovidi Nasonis Amores, Medicamina Faciei Femineae, Ars Amatoria, Remedia Amoris (Oxford: OUP, 19942) (Oxford Classical Texts).
    • Myers, K. Sara Ovid Metamorphoses 14. Cambridge Greek and Latin Classics. (Cambridge University Press, 2009).
    • Ramírez de Verger, A. (ed.), Ovidius, Carmina Amatoria. Amores. Medicamina faciei femineae. Ars amatoria. Remedia amoris. (München & Leipzig: Saur, 20062) (Bibliotheca Teubneriana).
    • Dörrie, H. (ed.), Epistulae Heroidum / P. Ovidius Naso (Berlin & New York: de Gruyter, 1971) (Texte und Kommentare; Bd. 6).
    • Fornaro, P. (ed.), Publio Ovidio Nasone, Heroides (Alessandria: Edizioni del'Orso, 1999)
    • Alton, E.H.; Wormell, D.E.W.; Courtney, E. (eds.), P. Ovidi Nasonis Fastorum libri sex (Stuttgart & Leipzig: Teubner, 19974) (Bibliotheca Teubneriana).
    • Fantham, Elaine. Fasti. Book IV. Cambridge Greek and Latin Classics. (Cambridge University Press, 1998).
    • Wiseman, Anne and Peter Wiseman Ovid: Fasti. (Oxford University Press, 2013).
    • Goold, G.P., et alii (eds.), Ovid, Heroides, Amores; Art of Love, Cosmetics, Remedies for Love, Ibis, Walnut-tree, Sea Fishing, Consolation; Metamorphoses; Fasti; Tristia, Ex Ponto, Vol. I-VI, (Cambridge, Massachusetts/London: HUP, 1977–1989, revised ed.) (Loeb Classical Library)
    • Hall, J.B. (ed.), P. Ovidi Nasonis Tristia (Stuttgart & Leipzig: Teubner 1995) (Bibliotheca Teubneriana).
    • Ingleheart, Jennifer Tristia Book 2. (Oxford University Press, 2010).
    • Richmond, J. A. (ed.), P. Ovidi Nasonis Ex Ponto libri quattuor (Stuttgart & Leipzig: Teubner 1990) (Bibliotheca Teubneriana).

Dalje čitanje

uredi
  • William Turpin (2016). Ovid, Amores (Book 1). Dickinson College commentaries. Open Book Publishers. doi:10.11647/OBP.0067. ISBN 978-1-78374-162-5. A free textbook for download.
  • Brewer, Wilmon, Ovid's Metamorphoses in European Culture (Commentary), Marshall Jones Company, Francestown, NH, Revised Edition 1978
  • More, Brookes, Ovid's Metamorphoses (Translation in Blank Verse), Marshall Jones Company, Francestown, NH, Revised Edition 1978
  • Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century. Ed. Charles Martindale. Cambridge, 1988.
  • Richard A. Dwyer "Ovid in the Middle Ages" in Dictionary of the Middle Ages, 1989, pp. 312–14
  • Federica Bessone. P. Ovidii Nasonis Heroidum Epistula XII: Medea Iasoni. Florence: Felice Le Monnier, 1997. pp. 324.
  • Theodor Heinze. P. Ovidius Naso. Der XII. Heroidenbrief: Medea an Jason. Mit einer Beilage: Die Fragmente der Tragödie Medea. Einleitung, Text & Kommentar. Mnemosyne Supplement 170 Leiden: Brill Publishers, 1997. pp. xi, 288.
  • R. A. Smith. Poetic Allusion and Poetic Embrace in Ovid and Virgil. Ann Arbor; The University of Michigan Press, 1997. pp. ix, 226.
  • Michael Simpson, The Metamorphoses of Ovid. Amherst: University of Massachusetts Press, 2001. pp. 498.
  • Philip Hardie (ed.), The Cambridge Companion to Ovid. Cambridge: Cambridge University Press, 2002. pp. xvi, 408.
  • Ovid's Fasti: Historical Readings at its Bimillennium. Edited by Geraldine Herbert-Brown. Oxford, OUP, 2002, 327 pp.
  • Susanne Gippert, Joseph Addison's Ovid: An Adaptation of the Metamorphoses in the Augustan Age of English Literature. Die Antike und ihr Weiterleben, Band 5. Remscheid: Gardez! Verlag, 2003. pp. 304.
  • Heather van Tress, Poetic Memory. Allusion in the Poetry of Callimachus and the Metamorphoses of Ovid. Mnemosyne, Supplementa 258. Leiden: Brill Publishers, 2004. pp. ix, 215.
  • Ziolkowski, Theodore, Ovid and the Moderns. Ithaca: Cornell University Press, 2005. pp. 262.
  • Desmond, Marilynn, Ovid's Art and the Wife of Bath: The Ethics of Erotic Violence. Ithaca: Cornell University Press, 2006. pp. 232.
  • Rimell, Victoria, Ovid's Lovers: Desire, Difference, and the Poetic Imagination. Cambridge: Cambridge University Press, 2006. pp. 235.
  • Pugh, Syrithe, Spenser and Ovid. Burlington: Ashgate, 2005. p. 302.
  • Montuschi, Claudia, Il tempo in Ovidio. Funzioni, meccanismi, strutture. Accademia la colombaria studi, 226. Firenze: Leo S. Olschki, 2005. p. 463.
  • Pasco-Pranger, Molly, Founding the Year: Ovid's Fasti and the Poetics of the Roman Calendar. Mnemosyne Suppl., 276. Leiden: Brill Publishers, 2006. p. 326.
  • Martin Amann, Komik in den Tristien Ovids. (Schweizerische Beiträge zur Altertumswissenschaft, 31). Basel: Schwabe Verlag, 2006. pp. 296.
  • Sciaramenti, Benedetta (2023). Metamorfosi e corpo: poesia ovidiana e arti figurative. Rome: Giorgio Bretschneider Editore. ISBN 9788876893438.
  • P. J. Davis, Ovid & Augustus: A political reading of Ovid's erotic poems. London: Duckworth, 2006. p. 183.
  • Lee Fratantuono, Madness Transformed: A Reading of Ovid's Metamorphoses. Lanham, Maryland: Lexington Books, 2011.
  • Peter E. Knox (ed.), Oxford Readings in Ovid. Oxford: Oxford University Press, 2006. p. 541.
  • Andreas N. Michalopoulos, Ovid Heroides 16 and 17. Introduction, text and commentary. (ARCA: Classical and Medieval Texts, Papers and Monographs, 47). Cambridge: Francis Cairns, 2006. pp. x, 409.
  • R. Gibson, S. Green, S. Sharrock, The Art of Love: Bimillennial Essays on Ovid's Ars Amatoria and Remedia Amoris. Oxford: Oxford University Press, 2006. pp. 375.
  • Johnson, Patricia J. Ovid before Exile: Art and Punishment in the Metamorphoses. (Wisconsin Studies in Classics). Madison, WI: The University of Wisconsin Press, 2008. pp. x, 184.
  • Nandini Pandey, The Poetics of Power in Augustan Rome: Latin Poetic Responses to Early Imperial Iconography (Cambridge: Cambridge University Press, 2018)
  • Patrick Wilkinson, Ovid Recalled (Cambridge: Cambridge University Press, 1955)